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About Bill from the UK: I love Mariah more than you do. London Daydream Tour Attendee.

Glitter 25 deluxe (114,816) by Bill from the UK I agree, the new bonus tracks are great. I love the demo of Never Too Far. To sing that well, as a raw demo, just showcases what an incredible singer she used to be. To think every song in her catalogue will have a corresponding demo that we’ll likely never get to hear, what a shame. I love Lead the Way 1997, OHOMO alternative, and surprised the Westlife duet was a studio version. And that Glitter medley sounds great even if most of it was studio vocals and not actually live. Think I also prefer the solo Want You, as not sure what Benet actually added to the song. (Friday 30 October 2026; 07:55) this is a reply to message 114,814

Glitter 25 deluxe (114,814) by Bobby A from United States I could listen to these new tracks on repeat for the rest of the year and not get tired of them. They are just a brilliant example of why MC is the greatest songwriter and female vocalist of all time. (Friday 30 October 2026; 00:29)

Glitter 25 bonus disc tracklisting (114,804) by Bill from the UK Mariah's a perfectionist and she's even said she's anxious about alternative takes, as there's a reason why it's not been released. We all remember the "drama" around the wrong version of The Art of Letting Go being released on Facebook and her having some meltdown over it even though it sounded exactly the same as the final version. And Jamie yes, it probably is the live Westlife version, I forgot about that. First thing I'm doing is playing Lead the Way 1997 and then Out Here On My Own alternative take. As for the registered songs, they may never have even been recorded for all we know. And the Prince duet is likely at the behest of his estate. I doubt we'll ever hear it, sadly. (Wednesday 28 October 2026; 11:26) this is a reply to message 114,794

Glitter 25 bonus disc tracklisting (114,794) by BFF from US I'm disappointed because the track listing reads more like a "Loverboy" or "Never too Far" EP rather than a set of rare/vault tracks like what we got for "Music Box". We can all verify the existence of other original songs that Mariah registered for the "Glitter" project. "Royal Tones", "Lillie's Blues", "Glitter" to name a few. It just seems strange to not have at least one or two unreleased songs from a project she worked on for four years. Even if she didn't include new songs, there could have been more variety of alternate versions. The alternate take of "Twister" you can clearly hear at the end of the movie, the live performance of "Reflections (Care Enough)", an alternate take of "Don't Stop". But perhaps she's saving leftover songs for a "Rarities 2" compilation? I hope we at least get full remix EPs for "Loverboy" and "Never Too Far/Hero" on streaming. (Tuesday 27 October 2026; 19:33)

Glitter 25 bonus disc tracklisting (114,793) by Bill from the UK Tracks 8 - 15 are all "new" to a degree, and certainly look interesting (writing session, rough demo, alternative takes etc.). It's certainly much better than the Butterfly anniversary edition. Mariah always said her and Westlife were planning to work together again after the success of Against All Odds in Europe, who knew it was a shelved Glitter duet? I just assumed they never bothered. I'm excited. And hey, it's better than nothing. I was hoping she'd put out Loverboy and NTF/Hero EPs as they both had a lot of remixes done for them. (Tuesday 27 October 2026; 18:43) this is a reply to message 114,784

Glitter 25 bonus disc tracklisting (114,784) by Jamie from UK I've just been reading online and a lot of people seem disappointed with disc two content. (Monday 26 October 2026; 19:54)

Glitter 25 bonus disc tracklisting (114,781) by Bill from the UK Stop everything. We're getting the original 1997 Lead the Way from Butterfly? That in and of itself makes the entire deluxe worthwhile. (Monday 26 October 2026; 18:00) this is a reply to message 114,776

Glitter 25 bonus disc tracklisting (114,776) by BFF from US Well, I have to say I'm a little disappointed. Mariah just posted the track listing for disc 2 of the Deluxe Edition a little while ago. 1. Out Here On My Own 2. Never Too Far / Hero (Medley) 3. Loverboy (Firecracker - Original Version) 4. All My Life (Channel Tres Remix) 5. Didn't Mean To Turn You On (with Rochelle Jordan) 6. Loverboy (MJ Cole Remix) 7. Loverboy (Club Of Love Remix) 8. Want You (Mariah Only Version) 9. All My Life (A Cappella) 10. Lead The Way (1997 Version) 11. Out Here On My Own (Alternate Vocal Take) 12. Never Too Far (Writing Session Interlude) 13. Never Too Far (Rough Demo) 14. Never Too Far / Hero (Medley) with Westlife 15. Glitter Medley (Live from the Caution Tour) I just don't quite understand the lack of unreleased vault tracks. She worked on this project from 1997-2001, and we know that there are other songs from that period that were completed for "Glitter". (Monday 26 October 2026; 16:31)

Mariah Carey: why I miss the artist she used to be (114,770) by Bill from the UK Classic Mariah (1990-1996) was everything. They are two different artists/people really. 1997 onwards is the R&B/hip hop diva/Christmas queen. Classic Mariah was just a great singer and songwriter. There's been moments of greatness since, but nothing that consistent. (Monday 26 October 2026; 11:34) this is a reply to message 114,763

Mariah Carey: why I miss the artist she used to be (114,763) by karel from belgie I was a Mariah Carey fan for what many would call the "Classic Mariah" era. When I think of Mariah Carey, I don't immediately think of Christmas. I don't think of tabloid headlines. I don't think of viral memes, diva moments, or the annual return of All I Want for Christmas Is You. I think of Hero. I think of Dreamlover. I think of Fantasy. I think of Always Be My Baby. I think of Anytime You Need a Friend. Even the B-sides or the rarities. Those songs represent the Mariah Carey I fell in love with as an artist. Not because they were perfect, but because they reflected a rare combination of talent, authenticity, elegance, and accessibility. Looking back, one of the most remarkable things about Mariah's early career was how naturally everything seemed to fit together. The voice was extraordinary, but it never felt like she needed to constantly remind people of that fact. The image was attractive, but it never felt like the image was the product. People often talk about how Tommy Mottola supposedly prevented Mariah from expressing her sexuality. I have always felt that discussion misses an important point. Mariah had already proven she could be sexy. The difference was that she was also classy. Look at Dreamlover. She spends much of the video wearing a plaid flannel shirt and denim shorts. It sounds incredibly ordinary on paper, yet she radiates charm and confidence. Look at Always Be My Baby. To this day, I consider it one of the most effortlessly attractive music videos ever made. She is barefoot on a tire swing above a pond, running her fingers through the water, wearing fitted jeans and a casually unbuttoned blue shirt. There is nothing provocative about it, yet everything about it feels authentic and appealing. That was Mariah's gift. She never needed to try too hard. Even songs like Fantasy, Anytime You Need a Friend, I Still Believe, and All I Want for Christmas Is You projected the same energy. These were upbeat, positive, feel-good songs, but they were never cheap. She looked beautiful without looking manufactured. Attractive without appearing desperate for attention. Most importantly, the music remained the focus. Then something changed. I understand why many fans celebrate Mariah's post-1997 liberation. I understand why people see it as her finally taking control of her own image and career. There is certainly truth in that. But as someone who loved Classic Mariah, I can't help feeling that something valuable was lost in the process. For me, Loverboy was the turning point. Ironically, I actually like the original Firecracker version. It is festive, upbeat, and feel-good track from that period. The remix, however, represents much of what started to frustrate me. Too many guest artists. Too much focus on attitude. Too much emphasis on creating a trend rather than creating a timeless record. Even lyrically, it felt like a step backwards. Compare Loverboy to Hero. Compare it to Always Be My Baby. Compare it to Anytime You Need a Friend. The difference is impossible to ignore. The songs that once balanced commercial appeal with emotional depth were increasingly replaced by music that felt more disposable. The image evolved as well. Again, my criticism has never been that Mariah became sexier. She had always been sexy. My criticism is that the elegance gradually disappeared. The Mariah who once stood performing Hero in a simple black dress increasingly gave way to an image that felt less timeless and more tied to the excesses of its era. Whether that was bandanas, ultra-revealing outfits, or increasingly image-driven videos, I found myself paying more attention to the presentation and less to the music. And I don't believe I was alone. One uncomfortable truth that many fans refuse to acknowledge is that a significant number of casual listeners gradually developed a negative perception of Mariah during those years. Not because of her talent, but because the image often overshadowed it. As a result, one of the most gifted vocalists of her generation was increasingly judged through a lens that had very little to do with her actual abilities. Then came 2005. And to her immense credit, Mariah delivered one of the greatest comeback albums in pop history. The Emancipation of Mimi reminded the world that she was still capable of great songs. The lyrics improved. The songwriting improved. The balance between glamour and artistry improved. For a moment, it felt as though she had rediscovered part of what made her special. But even then, I never felt that the effortless elegance of the early years fully returned. At the same time, her voice was beginning to change. That is not a criticism. Every singer ages. The problem was that the conversation increasingly shifted from celebrating her voice to questioning it. Live performances became less consistent. The woman who once seemed capable of anything vocally now appeared to be in an ongoing battle with the expectations created by her own legendary standards. I remained a fan for many years. But somewhere around 2016, I realised something uncomfortable. I was no longer a fan of the current Mariah Carey. I was a fan of the Mariah Carey I remembered. The artist I admired was the one who recorded Hero. The one who sang Anytime You Need a Friend. The one who created the magical optimism of Fantasy and the emotional maturity of Always Be My Baby. Today, what saddens me most is not that Mariah Carey changed. Every artist changes. What saddens me is how much of her legacy has been reduced. Every December, the world celebrates All I Want for Christmas Is You. It is an incredible achievement and one she absolutely deserves. But I sometimes wonder whether newer generations realize who she was before that song became a cultural phenomenon. Mariah Carey should not primarily be remembered as "the Christmas lady." She should be remembered as one of the greatest vocalists in popular music history. She should be remembered for redefining vocal standards in pop music. She should be remembered for Vision of Love, Hero, Fantasy, Dreamlover, Always Be My Baby, Anytime You Need a Friend, and dozens of other songs that showcased extraordinary talent, songwriting, and emotional intelligence. Perhaps that is why I still revisit the Classic Mariah era so often. Not because I am trapped in nostalgia. But because that era reminds me of an artist who achieved something extraordinarily difficult: she made elegance seem effortless, sexiness seem natural, and greatness seem completely normal. And for a while, nobody did it better. (Sunday 25 October 2026; 20:30)

Physical media (114,732) by Bill from the UK I really miss the CD single format. In the UK it was incredibly popular, so most artists went all out with their CD singles. Beautiful digipaks, picture discs (Mariah had some beautiful ones for her debut era singles), art prints, posters, video CD-ROMs, exclusive remixes, live tracks, b-sides, artwork etc. I have hundreds and hundreds of them and love them so much. Mariah was no exception and always delivered. It was so popular in the UK most CD singles were issued in a Part 1 and Part 2. Part 2 usually followed the week after release to sustain sales. So spoilt. (Wednesday 21 October 2026; 14:36) this is a reply to message 114,731

Physical media (114,731) by Edward from USA I definitely can relate to reading the lyrics and stuff like that. I guess I lost interest when the digital era took over and CDs and singles didn't get the special treatment they used to. (Wednesday 21 October 2026; 03:50)

Physical media (114,730) by Bill from the UK Yes I also have my CDs saved on a massive hard drive (backed up to Google) in FLAC too for if I ever suffer the tragedy of a fire etc. I spend my weekends meticulously cataloguing, ripping, and photoshopping the album covers so they look perfect. But still, I love going through my CDs and cassettes and playing the physical media, looking at the artwork etc. You can't hold a download. (Tuesday 20 October 2026; 20:02) this is a reply to message 114,729

Physical media (114,729) by Edward from USA ​It's been a long time since I last owned physica media, but before getting rid of my collection, I ripped all my CDs into FLAC format to preserve that original quality, and made backup copies, of course. There's nothing better than having my music right on my phone where no company can take it away over a missed payment or bad signal. I also like the feeling of owning what I paid for. ​The subscription madness everywhere is getting out of control. I personally canceled everything but Prime, which I share with someone else. It blows my mind that you don't even truly own your car these days, so many new features get locked behind a paywall once your trial ends. It's ridiculous. ​I think many of us are longing for a time when things weren't as reiant on technology, when life was simpler, people socialize with real tangible friends. Technology keeps advancing at a very fast pace, but our humanity has either remained stagnant or actively regressed. (Tuesday 20 October 2026; 18:22)

Gliiter cd (114,720) by Bill from the UK 100%. Like many, I have "subscription fatigue", so I cancelled everything and now just listen to my CDs and watch my DVDs. I never felt better. (Tuesday 20 October 2026; 09:40) this is a reply to message 114,718

Gliiter cd (114,718) by Bobby A from United States Well, it was reported in September that consumers are buying CDs again. I can tell that they are because records labels are making sure CDs are available just like vinyl records. I feel the 15 extra tracks will be available on CD for Black Friday sales. I would email Tower Records to ask them to check Alliance Entertaiment's website (wholesale distributor) to see if it shows up available to order in the future, but UMG won't allow Alliance to add it to their website for retailers to order probably until two weeks after 10/30. Let's keep our fingers crossed that it is released as on CD. (Tuesday 20 October 2026; 02:02)

Gliiter cd (114,713) by Bill from the UK The best thing about that Glitter CD is how the booklet has that glossy overlay to it. It literally shimmers when you look through the lyric sheet. And such great shots of MC within too. (Monday 19 October 2026; 17:03) this is a reply to message 114,707

Gliiter cd (114,707) by Bobby A from United States How many of you actually have Glitter on CD? Have you been listening to it this month? I have found another used copy today at a store which is a rare find. This stuff is starting now. Lol. What other Glitter celebrations will you doing during these last 12 days? I am going to watch Glitter next Saturday. (Monday 19 October 2026; 00:27)

Christmas (Baby Please Come Home) (114,661) by Bill from the UK If they do start promoting Christmas (Baby Please Come Home), I pray to God it is the original 1994 version and not that dreadful remake that was done for one of her stupid specials. (Thursday 8 October 2026; 12:51) this is a reply to message 114,656

Somebody's Ugly Daughter (114,656) by BFF from US I'm wondering when she is planning to release the project. There were rumors that it would come out in late 2026, but it probably got pushed back to make room for the Glitter anniversary and whatever plans she has for this holiday season. I'm reading rumors that Mariah and Sony are planning to promote "Christmas (Baby Please Come Home)" as an official single. Darlene Love would probably not be happy about that, but I actually think Mariah's version is more appealing. It would be nice to have a change from the focus on "All I Want for Christmas is You". Mariah might be able to pull off a few more US #1 singles with this kind of strategy. I think she deserves it considering she's had four songs peak at #2 (Can't Let Go, Endless Love, Loverboy, Shake It Off) and barely miss #1. And it might even work with a non-holiday song. I remember how popular "Running Up That Hill" by Kate Bush became after it appeared in "Stranger Things". It didn't hit #1, but it came pretty close at #3. I'm preparing myself to be underwhelmed by the Glitter deluxe edition but hope I'm pleasantly surprised. (Wednesday 7 October 2026; 14:13)

Here For It All (114,636) by Bill from the UK Lots of love to you Jamie, hope you are doing better. I always enjoy your posts. (Saturday 3 October 2026; 18:28) this is a reply to message 114,629

Here For It All (114,629) by Jamie from UK I've really connected to Here For It All again recently. I've just been through a really difficult time with depression and anxiety, the worst I've had since it started 30 years ago. Listening to the lyrics in this track have resonated with me on another level and given me hope. I'm now back home after living with my mum for a month and getting back on track. I'm hoping to return to work soon as been off since June. Mariah's music always brings me joy and I've been listening to her a lot recently. After surviving a gruesome fall I feel the clouds are now lifting. I'm looking forward to the Glitter release although she needs to hurry up as I'm getting impatient. Whilst I have contributed as much on here this year I still love to come on daily and read people's posts, it's great to have this sense of community around the person we all love (Saturday 3 October 2026; 11:31)

Debut of the misstep (114,635) by Bill from the UK I think you're the first person to describe Mariah's best-selling album, and one of the biggest-selling albums in history, a "misstep". (Saturday 3 October 2026; 18:24) this is a reply to message 114,627

Debut of the misstep (114,627) by Matty from Vancouver Canada I've been playing my Mariah MTV Unplugged album a lot during this Summer to Autumn transition. It accrued to me: did Sony do a massive misstep with releasing a raw and completely live album, followed with Music Box, her most glossy overly produced, slick, perfect by numbers album? I'm a dream world, what if she followed MYV Unplugged with Someone's Ugly Daughter? (Saturday 3 October 2026; 04:24)

Patient Zero (114,609) by Bill from the UK If only Migrate had been a single we'd be an extra #1 ahead... (Tuesday 29 September 2026; 23:13) this is a reply to message 114,605

Patient Zero (114,605) by Edward from USA Taylor's "Patient Zero" is expected to debut at #1 on the Hot 100 next week, knocking "Choosin' Texas" out of the top spot. That means "AIWFCIY" would only need to spend two weeks at #1 this holiday season to reclaim the record. Taylor would move to 16 #1s, putting her just three away from tying Mariah. Four more and she ties the Beatles, and five more would give her the all-time record. With Taylor's popularity at its peak, that's probably where this is headed. So I think it's best that we all hold hands, gather around the campfire, and mourn the 19 #1's record now. That way, when it actually happens, maybe it won't hurt quite as much. The one record I'm not so sure Taylor can touch, though, is most cumulative weeks at #1. Mariah is at 101 weeks, while Rihanna is the closest at 60, and Taylor is currently at 49. That's still a pretty big gap. And just like that, the charts are getting somewhat interesting again. (Tuesday 29 September 2026; 03:30)

Ugh (114,576) by Bill from the UK Good shout. Dutifully added. We're up to 57 now. When we hit 60 I'll reshare. (Wednesday 23 September 2026; 15:01) this is a reply to message 114,572

Ugh (114,572) by Bobby A from United States Lol. Are you going to add defrosting to your list as to why MC needs to defrost every year in order to sing? (Tuesday 22 September 2026; 23:32)

Ugh (114,569) by Bill from the UK I'm so done with this "defrosting" so-called joke that's been running for the last 20 years. Funny the first time. (Tuesday 22 September 2026; 16:50)

Singing live (114,561) by Bill from the UK Moyet is superb. I hope she sang Is This Love, that is one of my faves. (Thursday 17 September 2026; 22:52) this is a reply to message 114,557

Singing live (114,557) by TJ from Norway I went to see Alison Moyet this evening and enjoyed a concert where at least 99% of the performances was live. It was so much fun watching this 65 years old woman sing and move around on stage like a 30 years old. She started out 9 years before MC and seems to still enjoy what she is doing. A black skirt, a black shirt and flat shoes. Noe costume changes, no dancers and so on. One strong voice, and a hell of a show. I was thinking that this is how MC should do it. (Tuesday 15 September 2026; 23:49)

Wonderful idea (114,560) by Bill from the UK Eddie, you are onto something. The signs have been there for years, how did we not notice Mariah was gradually heading in this direction? I feel like such a fool. The curly brown hair to the blonde wigs. The impressive diva voice to the more simplistic and straight forward approach. The steady enlargement of her bust. As one country superstar sadly leaves us, another emerges from her cocoon. What will the album be called? Butterbean? Hay Dream? Merry Christmas y'all? We await with baited breath. (Thursday 17 September 2026; 19:05) this is a reply to message 114,558

Wonderful idea (114,558) by Edward from USA Guys, I just had an amazing idea. What if Mariah released a Country album? I think it could actually be amazing. Rumor has it she recorded a yodeling album in the '90s but kept it in the vault. Imagine the whistle register meeting the Grand Ole Opry. Who wouldn't want to hear Mariah singing about heartbreak, whiskey, a dusty road, and a man with two teeth in his mouth who should've known better? She already has the emotional trauma. She just needs the banjo. She could call it "Here For It All: Nashville Edition". First single: “We Belong Together (But You Keep Leaving Me at the Honky-Tonk)”. I know some of you are probably already hyperventilating at the thought, but hear me out. Mariah in a cowboy hat. Mariah yodeling. Mariah doing a country whistle note. I think we're onto something here, guys. And if the '90s yodeling album really exists, I think it's time to stop being selfish and let the vault breathe. (Wednesday 16 September 2026; 03:18)

The new album (114,524) by Bill from the UK If Mariah is indeed releasing new music, please, please, please for the love of God and all that is holy do something different from the usual tired, boring R&B she's been pedalling since 1997. A jazz album, a covers album, a gospel album, a concept album, just anything other than "y'all know who this is", staccato sung ballads, and guest rappers. Please. (Sunday 6 September 2026; 12:14)

Here For It All one year later (114,514) by Bill from the UK Mariah's been artificially enhancing her voice for decades, only back then they used to call it "engineering". As far back as Charmbracelet. (Wednesday 2 September 2026; 08:22) this is a reply to message 114,513

Here For It All one year later (114,513) by BFF from US I mean... considering Sony just sued Anthropic for "illegally training" Claude, you might be able to get a new Mariah album with her early 90s voice. Who knows. Mariah's voice might deteriorate to the point where she cannot do anything with it, and she might start using AI to record new music. I'd honestly be suspicious of almost anything released by any artist in the 2020s because of how ubiquitous generative AI has become. (Tuesday 1 September 2026; 23:04)

Here For It All one year later (114,502) by Bill from the UK I do agree in part. The creativity is definitely still there, and I don't think she'll ever lose that element of her talent. But, the delivery of these wonderful songs is just not good. It's like designing a Ferrari but sticking a Nissan engine inside. The two most recent albums have all the hallmarks of being great, with a few exceptions, but her inability to sing anymore means that they don't, and can't, go anywhere. When I put The Rarities into the CD player and heard that rich, vibrant, pitch perfect "let me tell you something baby" I just wept tears of joy and sadness. Her voice was so amazing, and whilst I was ecstatic to hear it again in something new, my heart broke as the further through the album you got, all it did was chronicle her vocal decline. So yes, respectfully we disagree. I'd rather have a whole album of demos from 1989 over another Caution of HFIA. (Saturday 29 August 2026; 12:45) this is a reply to message 114,500

Here For It All one year later (114,500) by Randy from USA Bill, you and I usually agree but I don't here. I find most of the unreleased stuff dreadful. To me they really represent cutting floor material. But each new album has surprises to me. Everyone on this board, and on the planet Earth, knows I hate MIAMTEC, but what a surprise Meteorite was for me. I never thought Mariah would get all abstract on us. Camouflage is one of the most beautiful things she's ever done. Caution's GTFO is very vile for a diva of Mariah's caliber and A No No is kinda genius. And as much as I hate the song Giving Me Life, again, I never thought I'd see MC doing two tempos on a record. Finally on Here For It All, Mi is a straight rap song and Gospel disco on Jesus I Do? Is that a new genre? I say all this to say, MC still has a lot of creativity and innovation in her even though the voice is shot. I'd love to still get new albums. Lots of them. (Friday 28 August 2026; 22:37)

Here For It All one year later (114,498) by Bill from the UK To be honest I'd rather she keep churning out the anniversary editions with the unreleased material over a new album with dreadful vocals. I'd sooner have My Prayer, Here We Go Around Again, Out Here On My Own and All I Live For over anything she's done in the last 20 years. Hopefully we get some unheard material from 2000/01 with the Glitter anniversary, and I pray she does the same for her first two albums. (Friday 28 August 2026; 14:56) this is a reply to message 114,496

Here For It All one year later (114,496) by BFF from US Mariah waited too long to release a new album after "Caution" and hasn't been focused on creating new music for quite some time. There are songs that I like from "Here For It All" and "Caution", depending on my mood. After the "Caution" release, I think Mariah made a mistake in allowing her holiday music and concerts to overshadow her impressive non-holiday catalogue. And since COVID hit in 2020, she has been leaning into anniversary editions of her older albums and anniversary concerts. It probably makes her a good bit of money, but it has also put her in a major creative rut. The writing and production on "Here For It All" were pretty good, but the voice and her overall health really seemed to deteriorate after the end of "The Butterfly Returns" residency in early 2020. (Friday 28 August 2026; 13:04)

Here For It All one year later (114,497) by Bill from the UK On point 5, Butterfly was issued with two covers. One with her eyes open, the other with her eyes closed. (Friday 28 August 2026; 14:54) this is a reply to message 114,492

Here For It All one year later (114,492) by Bobby A from United States Here For It All will always be that one Mariah Carey album that will be the least talked about Mariah Carey album twenty years from now. 1. It took seven years for MC to make Here For It All. 2. It is the first Mariah Carey album to feature the title track placed at the end of the album. 3. It the first Mariah Carey album to have songs written by MC's significant other at time. 4. The first Mariah Carey album to feature track one (Mi) that does not have a memorable hook. 5. Here For It Alll is the first Mariah Carey album to have multiple covers for the physical editions. 6. It is the first Mariah Carey album that faded away the quickest in terms of low album sales and streams after 3 months of its release. (Friday 28 August 2026; 00:09)

MC songs I've burnt out on (114,469) by Bill from the UK When I take a break from a Mariah record, hearing it on the radio really reinvigorates it for me. I listen to "Heart 90s" in my car, and they play MC every now and then, but thankfully it's not just Hero, I'll Be There, Hero, Without You, Hero, Hero and Hero like all the other stations. In the last week or so I've heard Vision of Love, Anytime You Need a Friend, Emotions, and Someday (which almost caused me to crash, the first and only time I've ever heard it on the radio). Songs sound brighter and more rounded and fuller on the radio and they sound like new. I've been playing Someday non-stop since I heard it (and it was the 7" Straight version at that). (Monday 24 August 2026; 10:14) this is a reply to message 114,464

MC songs I've burnt out on (114,464) by Randy from USA Between me, MC's live sets and the general public, I just have heard the following songs so much, I skip them on my playlists or on albums. Hero Fantasy All I Want For Christmas We Belong Together Shake It Off Is it just me? If you ask me what I play the most these days it's Heartbreaker with Jay Z, Through The Rain, Languishing, Petals and Angel's Cry with Neyo. (Sunday 23 August 2026; 23:50)

Glitter (114,448) by Bill from the UK 1. Loverboy Firecracker version 2. Out Here On My Own 3. Never Too Far / Hero medley 4. Didn’t Mean to Turn You On remix 5. Prince duet 6. Big Nasty sample song 7 through to 15 should be all new songs, but I suspect we’ll get the Loverboy and NTF/Hero remixes that were out at the time and a bunch of acapellas. If I set my expectations low I shouldn’t get too disappointed. A whole album worth of shelved songs and unheard material from the era is highly unlikely... but let’s see. (Saturday 22 August 2026; 20:18) this is a reply to message 114,444

Glitter (114,444) by Bobby A from United States The 15 tracks must be more than remixes for MC not to release the tracklist with the vinyl preorder. I read on Reddit that MC recorded a bunch of tracks with Stevie J. We could finally get to hear the Prince collaboration and the Vanity Six Nasty Girl sample. I feel we are going to be pleasantly surprised in October. (Saturday 22 August 2026; 11:45)

Snooze you look Virgin Records (114,446) by Bill from the UK In what world were the vocals on Butterfly not good? (Saturday 22 August 2026; 16:37) this is a reply to message 114,442

Snooze you look Virgin Records (114,442) by Rashidi Rahim Rick from Malaysia Virgin should have taken control of the project: 1. Keep the name All That Glitters for the movie. Release the movie as special tv movie on HBO or VH1. Whitney did that trend with Cinderella in 1997 and it worked. 2. Maintain Loverboy (Firecracker version) as the leading single. 3. The Loverboy (Candy version) can be released as the remix on the album just like Heartbreaker Remix on Rainbow. 4. Refrain Mariah from wearing that bandana in the music video. It cheapened her brand as the most expensive singing contract (apart from Whitney) at that time. 5. After the release of the album, book her for another Unplugged session. She needed to reconvince that she still got the voice after the disappointment of her vocals in her last two albums; Butterfly and Rainbow. Hire her a vocal coach. Madonna did this for her Evita project and she showed the vocal result of performing at Oscar for You Must Love Me. 6. Keep Out Here On My Own on the album and make that as second single. The song is much better telling a story of Billie Frank who was on her own after her mother left her and her boyfriend died. This could be her I Will Always Love You or My Heart Will Go On moment. (Saturday 22 August 2026; 08:58)

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