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About Terna from Nigeria: Fan since 1998 - The "Butterfly" Era. However my Fave Era ever? will always be - The Emancipation of Mimi, if you're a true Lamb, you know.

Soulless (114,284) by Terna from Nigeria Nice observations but instead of us complaining, [we] her extended family with our unconditional love for her, can [pray] for her, I often do - [there] is power in [prayer]. That is what her very first song "Vision of Love" is all about. So I encourage you during the course of your day, when it comes to mind, pray for Mariah Carey. (Friday 24 July 2026; 11:56)

Daydream 30 re-mastered (114,274) by Terna from Nigeria Observations. The recording is much louder, updated if you may, the kicks are stronger, but most notable is the placement of her vocals in the mix - they're more forward; like her vocal performance moments really punch through and her uncanny ability to switch on abd off her "big voice" throughout the recording is mind boggling, almost startling but in a very good way. However, I noticed immediately but subtly, the feel of "Daydream" has changed. The original release felt like a dream, the overall atmospheric feel always felt like indeed you were in a daydream, but this feels like a jolt out of that state, kinda like waking up for some strange reason. Some fans may have noticed this but couldn't quite put a finger on it. For me, It made me really hear certain songs like "When I Saw You" and "I am Free" almost like for the first time, and I even let "Long Ago" play and quite enjoyed it. Haha. I'm glad finally "Daydream" has gotten its update moment for the new generation. (Wednesday 22 July 2026; 22:28)

Daydream 30th anniversary (114,216) by Terna from Nigeria Aww. Thanks. I'm actually listening to the album right now and wow, the sound is superb - remastering updated the sound somewhat. She really went all out for Daydream with the acapellas and especially the focus on "Underneath the stars". I love the sweet acapella version, her vocals are more forward and focused. "Slipping Away" also finally has a home with the rest of the recordings from that era. (Friday 17 July 2026; 19:54) this is a reply to message 114,197

Daydream 30th anniversary (114,197) by Bobby A from United States Welcome back, Terna. It is going to be a great day tomorrow. (Thursday 16 July 2026; 15:26)

Daydream 30th anniversary (114,194) by Terna from Nigeria Finally. One of my favorite albums of Mariah Carey gets a remastering and release - in Dolby Atmos. This is so important to me as I always thought the record was long overdue. This album was huge (worldwide) especially "Always be my baby" and "One Sweet Day" and was actually my introduction to Mariah Carey the singer. I am glad it finally gets its moment. (Thursday 16 July 2026; 11:24)

Mariah's voice (113,729) by Terna from Nigeria I think Mariah may have caught covid-19, this would explain a lot of the issues that she is going through, coupled with the fact she already had nodules. When Kelly Price sang "Lift every voice" recently, you could tell there was a little damage there and she shied away from anything extra too - she too caught Covid if you recall a very severe form. Mariah's voice has ground to a lock so to speak, where she has no or limited access to the upper half of her 4th octave notes (where her nodules lie and affect the range and that scratchy sound occurs), the entire 5th octave ("Daydream" and "Emancipation" powerful sustains) and its even affecting the 6th octave notes where her whistle lie (peep the struggle whistle tones on HFIA, smh). The album was marred by the poor state of her voice. I don't think she has done any surgery yet. I hope she considers all her options before venturing down that path. Her voice for the most part still sounds healthy on the parts she can access, which suggests her inabilities are superficial and temporary, most likely caused by lifestyle choices. Another thing that has affected her singing is her breath support. It has been off since at least "MIAM". I want Mariah to explore the tricks of the trade - there is a bevy of tools singers use to remedy vocal issues no matter how advanced. 1. Singing straws (they're oh so helpful, especially on trouble spots in the voice) 2. Humming as softly as possible (acts as a massage on the chords) 3. The "Ng" placement massage 4. Motor boat exercises on the main voice without straining. Lastly, no whistle tone for a while, she needs to work her main voice and get that balance back. (Tuesday 28 April 2026; 13:40)

Jesus I do (113,727) by Terna from Nigeria No Giovanni, that's even the song that made it glaringly clear that her voice is in shambles. She's keeping up with the Clark sisters and it seems Karen Clark sings over Mariah's scratchy belts in order to mask and hide her flaws. No sooner than the song starts, Mariah's voice cracks unintentionally on the line "You are the light enabling me" (0:31). (Tuesday 28 April 2026; 13:34) this is a reply to message 113,724

Jesus I do (113,724) by Giovanni from USA While we're addressing the current state of Mariah's voice and how she sounds on HFIA, I have to say I think Mariah sounds fine on "Jesus I do". It's one of the few songs on the album where I don't think she could have recorded it any better. God is the only one who can give Mariah her voice back so going the gospel route would be wise. I really hope she works with The Clark Sisters again because they did an amazing job and [I'm] so proud of Mariah for making such a great gospel song. It's now my favorite song on HFIA. (Tuesday 28 April 2026; 09:20)

Birthday girl (113,480) by Terna from Nigeria Happy birthday Mariah. Wishing you only the best, and that you live a fulfilled, happy life and see many more birthdays like this one. You are loved. (Friday 27 March 2026; 21:21)

Can't Let Go (113,418) by Terna from Nigeria "Can't Let Go" is one of her songs that's most mysterious and a signature song at the same time, but of an unknown singer (if you get what I mean). Many people know that song, but don't know it was sung by Mariah Carey. I do believe it would've been a number one song without a doubt, had Tommy not interfered. It has stood the test of time as one of her overall classics. (Tuesday 17 March 2026; 11:51) this is a reply to message 113,404

Can't Let Go (113,404) by Bobby A from United States Do you think Can't Let Go could have been as huge as We Belong Together in 1992? I just love CLG. (Sunday 15 March 2026; 21:52)

HFIA Breakdown (113,326) by Terna from Nigeria Are you kidding? The Roof for me was an immediate love and it kinda made me aware of the difference between Pop songs and R&B songs, matter of fact that whole album "Butterfly" is such a masterpiece from that sacred era of music, the late 90's when digital recordings were becoming a thing. I'm glad Mariah has that one body of work, released right in the heart of that time era 1996 - 1998, and then also there was "When You Believe". Wow. Oh how time flies, 1998 will soon be 30 years ago (Tuesday 24 February 2026; 19:25) this is a reply to message 113,317

HFIA Breakdown (113,317) by Lainsky from Philippines The Roof has grown on me over the years. I didn't like it at first. Her current voice is suited to sing songs like this and Breakdown. So, yes, it would be nice if she released an album with songs influenced by hip-hop like these, and I won't mind. (Monday 23 February 2026; 06:20)

Type Dangerous and why it failed (113,325) by Terna from Nigeria "The hype was there until she performed it on BET Awards, and the public saw that she can barely walk, and so the song tanked. It's a performance song, and she needs help to walk." Haha. Why did I laugh so hard and long at this statement? Mariah is not gonna like this Jake. Lol. (Tuesday 24 February 2026; 19:19) this is a reply to message 113,315

Type Dangerous and why it failed (113,315) by jaker20 from US Mariah is not in the stage of her career where she should be singing this type of songs anymore. She is not cool and she can't vibe with the beat. It's a great cool song, and if it's released by Ariana or Taylor, it would be a hit. The hype was there until she performed it on BET Awards, and the public saw that she can barely walk, and so the song tanked. It's a performance song, and she needs help to walk. There is a disconnect between her and what lambs want her to do. If she wants to release a modern song like Type Dangerous, maybe it's better if they release a really great video and then hide her from the public. It's the same situation with Sugar Sweet. If that song is released by someone else, it would be a hit because it's a great song. But the supposed video of it, it's the same touching her hair and hips moves. Well I have no words how bad it is. How do you craft a great song and throw it away like that is the current state of Mariah's career. So Mariah 2026 problem is not the song, and not even her voice. The problem is her, she doesn't know how to perform these types of songs anymore. She cannot be directed, not choreographed. I think it's time Mariah and lambs accept the fact that she should only release songs that matches her current personality and her performance level. It's sad when lambs post here that they listen to AI Mariah. They are imagining a Mariah of the good old days on her current songs which is some mental acrobatics. That's just how bad her situation is, and just a bad way to listen to music in general. They'd rather listen to Mariah sounding like a chipmunk (frankly that's how AI sounds to me in general), that is not her, than accept her current state. Equally sadder is suggesting a nodules operations, another lamb fanfic that will somehow turn back the clock. For me My Love is her current state. It does not fit on the radio nor the streaming hits right now, but its authentic to her current voice and personality. And I'm sure she can at least perform that kind of song live. Think 70s Carpenters, understated, standard, mature, dare I say: basic. That's her in 2026 and the next few years. She's not a popstar anymore nor a vocal diva anymore and the first step is accepting it. Also, to add: everyone was excited about Nothing Is Impossible, then all the excitement went away after she performed it at the Olympics. Her performance almost always backfires on her own songs. That's what happened with #Beautiful, and that's the state of her new songs over the past 15 years if you think about it. At least on her non-Christmas songs. Thankfully the legacy of those classics is so strong she herself can't ruin them anymore when she performs them. (Monday 23 February 2026; 03:38)

Confetti & Champagne (113,280) by Terna from Nigeria Haha, this made me chuckle. "Confetti and Champagne" is my absolute favorite too from the new album, like I loved it instantly while it was just about one minute in, the first time I played it, it's such a vibe. I think that's the radio factor taken into consideration making it that short, gives it replay value where it is never enough and you just want more and more. Hehe. I think it will take off on social media too - that chorus is just infectious. (Wednesday 18 February 2026; 13:42) this is a reply to message 113,278

Confetti & Champagne (113,278) by Giovanni from USA I can't remember if I have already posted this but it's a disgrace this song is less than 3 minutes and not 4 or 6 minutes lol. Mariah how could you? I'm gonna need Memoirs Of An Imperfect Angel Mariah to scold you viciously. I need a 4 minute version of this song asap. (Wednesday 18 February 2026; 08:44)

Nodules (113,234) by Terna from Nigeria With Whitney Houston, she also was a heavy smoker for years, that's what really did her voice in, also Dionne Warwick too smoked and Aretha Franklin and they both suffered extensively as singers from those wayward years. Aretha was able to kick the habit and came back strong with "A Rose is Still a Rose" but I don't think Dionne was able to. With Mariah Carey, it's a myriad of factors the biggest being the nodules - she already has a medical condition with the nodules, then couple that with the bad habits, vices and non discipline and you have this that we have today. It's quite unfortunate, her voice is totally shot and that's even putting it nicely. Nothing about it sounds pleasant nor fluid anymore. The new album while a solid body of work, unfortunately is marred by the vocal performances or lack thereof - hardly listenable. I only play two songs "Mi" and "Confetti and Bubbly". (Wednesday 11 February 2026; 12:13) this is a reply to message 113,229

Nodules (113,229) by TJ from Norway Sometimes I think that it could be drugs. WH did drugs and got this metallic voice, Dionne Warwick the same. Mariah got the metallic voice, but we don't know why. I doubt that it's the champagne. I know a lot of professional singers that drink, but got their voices intact. (Tuesday 10 February 2026; 17:54)

Confetti & Champagne (112,956) by Terna from Nigeria It's my favorite from the [new album], and the most standout "Mariahesque" track on the whole album in my opinion. It's got a distinct summery vibe for chilling and hanging out and yes it should be a single, complete with a video treatment. (Thursday 8 January 2026; 12:09) this is a reply to message 112,951

Confetti & Champagne (112,951) by AnKo from Germany Who else thinks this should be a single? (Thursday 8 January 2026; 02:24)

Hibernation (112,902) by Terna from Nigeria Back into hibernation? Haha. It's too early to take the tree down though. (Sunday 4 January 2026; 13:53)

Divas Live 1998 (112,885) by Terna from Nigeria There is a tendency for female singers to try and outdo or outsing each other once they're sharing a stage. Mariah is well aware of this fact and wanted no parts of any such setup. It always ends up as a screaming match and then the song gets butchered. Check the Aretha Franklin tribute by Yolanda, Martina, Christina etc. I'm glad Mariah, even though Aretha approached her to lift, did not engage. That was wisdom because you don't control what the other singers are going to do and then suddenly it's a screaming match, nothing musical, then the train gets derailed and all the divas fall off. Haha. (Saturday 3 January 2026; 00:00)

Was Celine the original JLo? (112,823) by Terna from Nigeria Speaking of MHWGO, there was a picture of a document running round on the internet a few years ago (2017), about the writers of the song - coincidentally the same co-writers as Faith Hill's "Where are you Christmas". The source of this document claimed they had recently started working in publishing and had access to the original documentation for publishing and there were three names listed for "My Heart Will Go On". "James Horner", "Will Jennings" and the third name? "M. Carey". This claim had a snapshot of the document (type written) as proof. However, that image disappeared mysteriously shortly after as well as the thread and retweets on it. Smh. Rumour also had it that James Cameron does not like Mariah Carey and insisted she was not going to be the one to sing the song, or it was never going to make the movie, specifically choosing Céline Dion. So many versions of events surrounding that time, makes one wonder, did Mariah write Céline's biggest hit? Because let's be honest, that song has certain "Mariahesque" qualities about it, it is very similar in movement, time signature and tempo to "When I Saw You", "Last Chance", "Where are you Christmas" - a lullaby kinda approach to writing she still uses even up to TEOM's "Joy Ride" and "Supernatural" from MIAM. My younger sister always said in reference to MHWGO, "This song sounds like a Mariah Carey song, it has her written all over it." Lol. (Tuesday 30 December 2025; 22:44) this is a reply to message 112,810

Was Celine the original JLo? (112,810) by Anonymous from United States Do you think Mariah would have recorded "My Heart Will Go On" if it had been offered to her? She seemed pretty firm on not recording original songs written by other people at that point in her career. The song was also more in line with the adult contemporary image she was attempting to leave behind at that point in her career. She relaxed that rule about recording other people's songs when she did "When You Believe" with Whitney, but it seemed like Mariah was pretty steadfast on it up until "Almost Home". I'm actually a bit confused by "Almost Home" because Mariah says she did not write, but she was given a writing credit. Perhaps it was brought to her and then she asked for changes before agreeing to record it? (Tuesday 30 December 2025; 13:58)

Olympics - Nothing is Impossible (112,792) by Terna from Nigeria I sure do hope this song is not the song for the Olympics, and not even her next single. Its lyrics are too personal and very specific to that dark time in her career (Glitter), there isn't anything uplifting about NII, sorry to state the obvious. It is a revisit to a very dark time in Mariah's career and life. Mariah is a songwriter who can easily come up with a song much more in vein, vibe, melody and lyrical content suitable for the Olympics - an uplifting, healing song and moment for this time. God knows the world needs healing right now. And said song is not (all caps) "Nothing is Impossible". Haven't we already been hinted at such a song in the past? I recall "Reach for the sky" being said, was for an Olympic type event. Well, now might just be the time. (Monday 29 December 2025; 13:35)

Would you rather? (112,623) by Terna from Nigeria Taylor checks all the boxes for an ideal pop star, makes catchy, hook heavy pop music that's very easy to sing along to and for her to sing live, has an ok voice, that's just right and has a formula that works and sticks to it. She also has a very good and efficient team backing her up. But it's her material that's the charm actually. In the words of Diana Ross from the movie she did with Brandy (Double Platinum) her character said, "You could be the most talented singer in the world but if you're singing the wrong songs, you're not going anywhere. Aretha Franklin suffered this early on in her career - great voice, wrong material." I guess Taylor knows this. Mariah Carey knows this secret too also being a songwriter (and she's got an ear for music too don't forget). Her pen game, musicianship (Mariah knows music) and diversity in different genres, over time has led to a solid discography that speaks for itself. Prince is another artist that comes to mind. (Sunday 7 December 2025; 23:26) this is a reply to message 112,606

Would you rather? (112,606) by TJ from Norway I really don't understand why TS is so popular. It's like people are under a spell. (Saturday 6 December 2025; 09:45)

Muni Long (112,535) by Terna from Nigeria I knew the minute I heard Mariah's commentary, it rubbed her some kinda way, and there would be some kind of low blow retaliation so to speak, talk about throwing stones and hiding hands. Smh. She needs to simmer down and humble herself. This was done in a ghetto, hood rat, distasteful way and the satire crossed the line and became just pure disrespect quickly. I found it cringeworthy. Oh well, she better ask Katy Perry. Lol. (Thursday 27 November 2025; 19:59)

Summer Walker (112,455) by Terna from Nigeria To hear Mariah in the background was a highlight for me, that song is timeless, and one of her most nostalgic tracks for me. I love that it's getting the recognition it deserves and Mariah, her flowers. It's a big honor when the younger generation sample your music. It keeps it alive reintroduced to a whole new generation. (Thursday 20 November 2025; 19:31) this is a reply to message 112,408

Summer Walker (112,408) by Bobby A from United States Summer Walker samples ABMB on her song Baby with Chris Brown. It is so good. The Atlanta sound shines on this one. (Saturday 15 November 2025; 23:16)

3 albums (112,211) by Terna from Nigeria Easy "Mariah Carey", "Butterfly" and "The Emancipation Of Mimi". These three album are the main anchors in her discography, each detailing very important eras in her journey - Her introduction, growth and freedom, then legend status when she finally gained the respect from the industry. A worthy mention is "Daydream" which is so very important in her journey too, I didn't pick it as it is actually the true beginning of her growth as an artist that culminates with "Butterfly" so these two albums are intertwined to me although very different and honestly her true core and identity as an artist. (Sunday 2 November 2025; 15:54) this is a reply to message 112,155

3 albums (112,155) by TJ from Norway Let's say that for some reason everyone on earth forgot all of MCs albums except 3 of them. Which 3 albums from her catalogue would you keep for everyone to enjoy? And why? (Friday 31 October 2025; 06:40)

It's time... (112,205) by Terna from Nigeria Lol. I noticed that, at this rate it's become a whole tradition, with its budget and production is getting bigger. Mariah is needed to declare the Christmas season open and official. And they say she isn't the queen of Christmas? Hehe. (Saturday 1 November 2025; 22:08) this is a reply to message 112,193

It's time... (112,193) by Lighty from China This year's It's Time video. It surely looks big budget. (Saturday 1 November 2025; 05:03)

Lamb emergency (111,628) by Terna from Nigeria Thanks for the link, smooth performance actually and she sounds much better than on the record. When she improvised and sang higher on the second chorus, I was pleasantly surprised, smooth clean sound. Whatever she's doing for her voice, it's working. (Tuesday 30 September 2025; 19:41) this is a reply to message 111,608

Lamb emergency (111,608) by Tevin from USA Everyone this is not a drill, I repeat this is not a drill. Mariah is singing live again and sounding amazing. Here's the link to her Fallon performance tonight. She sounds great. (Tuesday 30 September 2025; 07:05)

Lamb creativity (111,555) by Terna from Nigeria The new lambies are in overdrive on Instagram with this. What's your favorite? (Saturday 27 September 2025; 15:16)

Here For It All (review) (111,523) by Terna from Nigeria Oh wow, I felt the exact same way about "Confetti and Champagne" - especially when the chorus hits, that sound from the early 90's that was so very brief and then it changed so quick, is captured on this song. When I was listening to it, I suddenly thought of Aaliyah for some strange, strange reason. (Friday 26 September 2025; 19:30) this is a reply to message 111,514

Here For It All (review) (111,514) by Anonymous from United States Out of all the albums in her catalogue, "Here For It All" reminds me most of the "Emotions" album, which is my second favorite after "Butterfly". The vocals are, of course, not at the same level, but the up-tempos like "Play This Song" have the same relaxed/fun vibe of "Emotions" and ballads like "Nothing is Impossible" and "Here for It All" hit me the same way as "Can't Let Go", "And You Don't Remember", and "Til The End of Time". "Jesus I Do" gives me a little bit of upbeat "Make it Happen" type energy. Even though "I Won't Allow It" and "Champagne and Confetti" are sonically different, they give me the kiss off vibes of "If It's Over" and "You're So Cold". This album is truly a resurgence of classic Mariah with a great new twist. Bravo, Ms. Carey. (Friday 26 September 2025; 16:19)

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