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About Billy from Greece:
I don't know, and neither do you.
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Re: Distance - my theory (for laughs) (85,122) (85,138)
by Billy from Greece
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Although structured as a love story gone wrong in the lyrics as a whole, I also believe "GTFO" is a message to that snake.
(Saturday 20 October 2018; 12:04)
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"Caution" (85,048)
by Billy from Greece
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I'll use one word for the way I think this era has been shaping up: bold, especially if I am to judge by the super "vamp" cover. Love, love, love the new track. Listening to three new songs one after the other creates an excellent listening experience, the one enhancing the other. I love the nuanced details she has injected in each one of them, melodically and vocally (that second "for laughs" in "The Distance", the gorgeous prehook in "With Me", the deliberately restrained verses in "GTFO"). MC is here to play no games this time around. Caution.
(Thursday 18 October 2018; 18:11)
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"Caution" - November 16 (84,888)
by Billy from Greece
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Always get butterflies upon a Mariah album announcement. Quite a surprising album title, I would say. "Caution"? I wonder what the concept behind this choice is. I just realized it's coming in only a month from now? Ok, now it's time to start freaking out. Yay.
(Monday 15 October 2018; 15:55)
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Re: The video (84,749) (84,754)
by Billy from Greece
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Yay to the darker lipstick.
(Thursday 11 October 2018; 18:14)
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Re: Big Jim (84,521) (84,530)
by Billy from Greece
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I can't find any updates about the causes of his death. Very strange, indeed. I don't know if the rumors about him were true or not, but he was great during the SSFT and a great asset in Mariah's oeuvre. I've always felt he was her own "Jam & Lewis" if that makes sense. Just sad.
(Monday 8 October 2018; 11:09)
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Re: The Guardian article (84,420) (84,439)
by Billy from Greece
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Fantastic article, and so very true. Thanks for sharing it.
(Saturday 6 October 2018; 14:09)
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Re: With you (84,258) (84,259)
by Billy from Greece
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Great post, Yiorgo.
(Wednesday 3 October 2018; 09:50)
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Re: Worst Mariah song (84,210)
by Billy from Greece
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I had totally forgotten about "Little Snowman". That is a weird song right there. I think I have listened to it one time, if not less. Other than that, I don't get all the hate when it comes to "Infinity". It's ok to me, though I don't listen to it that regularly. The similarly much hated "Boy" is also ok as far as I'm concerned, though the chipmunk vocal annoys me, but I also find interesting how she structured her vocals in the verses. There's a subtlety in the groove and I consider it more of a ''transitional" mood piece in CB. But, yes, choosing it as a single instead of "The One" was totally stupid on behalf of Def Jam.
(Tuesday 2 October 2018; 11:12)
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Mariah / Barbra (84,208)
by Billy from Greece
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If Mariah's album is coming in November as it is rumored, then it will be 2009 all over, since Barbra's new (pop) album is also coming mid-November. Even after more than fifty (!) years in the business, Barbra's team is kicking a*s. I totally love Barbra, but I hope MC gets the bigger debut this time around.
(Tuesday 2 October 2018; 11:00)
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Big Jim Wright (84,151)
by Billy from Greece
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Big Jim was found dead in his apartment? What on earth? His work with Mariah was truly special. Just sad.
(Sunday 30 September 2018; 08:20)
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#1's (84,103)
by Billy from Greece
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Just a reminder: in less than two months we'll be commemorating the 20th anniversary of this legendary compilation. Now you can start feeling old once more.
(Saturday 29 September 2018; 16:28)
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Showbizz 411 "article" (83,966)
by Billy from Greece
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Is Roger Friedman obsessed with Mariah?
(Sunday 23 September 2018; 18:01)
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"Triumphant (acoustic)" (83,896)
by Billy from Greece
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A real transformation.
(Thursday 20 September 2018; 19:14)
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New release (83,869)
by Billy from Greece
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I probably just found on Ebay the "new" release that someone found on Amazon a couple of weeks ago. It is as yet untitled yet on the cover (that has a very nice photo of Mariah) it writes "Japan Best".
(Wednesday 19 September 2018; 08:34)
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Re: GTFO (83,716) (83,720)
by Billy from Greece
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Apparently, this is a buzz track. Video comes tomorrow, yay. First official single arrives October 5, called "With You". GTFO gets more and more addictive as you listen to it.
(Thursday 13 September 2018; 14:42)
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GTFO (83,716)
by Billy from Greece
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First thoughts: quite current aesthetically yet classic Mariah-esque vocal layering. Hook that seems to be addictive. It does bring to mind the flow of "Candy Bling" with the fast-paced singing. Very subtle, somehow dreamy. The "aggressiveness" of the title is juxtaposed with the relaxed tone of the song. My only problem: I can't imagine it translating well live.
(Thursday 13 September 2018; 14:11)
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Outside (live - snippet) (83,656)
by Billy from Greece
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Oh me, oh my. Super short but still she did it.
(Tuesday 11 September 2018; 11:33)
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Re: Mariah's next look (83,632) (83,640)
by Billy from Greece
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He was indeed unequivocally revolting and a person I wouldn't want to associate myself ever in real life. Just a bitter, negative subject with tons of issues quite possibly, and in pop culture terms a pure nobody.
(Monday 10 September 2018; 17:16)
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"Music Box" (83,572)
by Billy from Greece
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I had no idea that "I've been thinking about you" samples Melvin Bliss' "Synthetic Substitution" and Slave's "Just a Touch of Love". Weird that it is not indicated in the credits. I think the same thing happened with the sample used for the "Make It Happen" club remix in the single's credits.
(Sunday 2 September 2018; 21:46)
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Christmas show 2014 (83,374)
by Billy from Greece
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That was a really great show with excellent vocals. I put it on just to have a look and ended up listening to the whole thing and halfway I started checking tickets again for the upcoming Christmas shows.
(Wednesday 15 August 2018; 11:53)
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Re: "I Still Believe (Stevie J. Remix)" (83,331) (83,334)
by Billy from Greece
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I agree. The "I Still Believe" maxi single is thoroughly fulfilling, almost as a stand-alone piece of work.
(Wednesday 8 August 2018; 21:37)
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"I Still Believe (Stevie J. Remix)" (83,329)
by Billy from Greece
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This has to be the most forgotten remix by MC, with re-recorded mind you.
(Wednesday 8 August 2018; 10:06)
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Re: My new article about "The Butterfly Returns" (83,320) (83,328)
by Billy from Greece
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Really great article Richard. I enjoyed it profusely.
(Wednesday 8 August 2018; 08:52)
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Re: Mariah's voice (83,054) (83,057)
by Billy from Greece
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Thank you for the very extensive reply. I also believe that to a major degree the vocal issues she may be facing are psychosomatic in their root, and I have also sensed a feeling of "burning out". I have also thought about what you've said concerning the eagerness in the early part of her career and the effect that that had on her performances. But as you said, life happens. By the way, cute pic.
(Monday 9 July 2018; 21:22)
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Criticizing Mariah / other divas and fans (83,043)
by Billy from Greece
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Since the sensitive issue of the voice has come up again and some posters put the blame on Mariah and her lifestyle and bad decisions and bad behavior and irresponsibility and all that good stuff, I was thinking again about how the fanbases of, say, Aretha or Dionne have been treating their divas following the peak. The difference between them and Mariah's fans (or critics, or commentators) is that they support them hundred percent even when not in their best. Aretha and Dionne have been heavy smokers and that has shown in their singing as well. By the late 1980s, their voices had changed quite a lot and in Aretha's case, her raspiness and belting power had diminished a lot. Also, for almost twenty five years, Aretha's higher range is not necessarily the most attractive aspect of her singing. Does it matter to her fans or the public? No, because she had managed to establish herself as an undeniable legend with all the work she had done before. She was truly one of a kind. The difference between them and Mariah lies in that she does not get the same respect despite the legacy she has built. We could elaborate on the reasons on a different post, but the thing is it is as if Mariah is in a constant mode of proving herself for some reason. This had to do with the super high standards that were set in the early part of her career (just like with Whitney), not only because of the natural talent she possesses and the commercial success she achieved but also because of how she was promoted and marketed, which was indicative of its era.
(Monday 9 July 2018; 12:37)
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